Showing posts with label Paul Bocuse. Show all posts
Showing posts with label Paul Bocuse. Show all posts

Tuesday, August 31, 2010

Gerard Mulot Pastry Box, original watercolor, 9" x 11"
Pastry chefs and I have always seen eye to eye...

They are the 'artistes' in the cuisine, with chocolate and sugar...

Of course they adored having their portraits on their own business cards. They really got my food art biz going.

When I received an invite to a screening of KINGS OF PASTRY I was thrilled.
It's about the 3-day competition of carefully selected French pastry chefs, sixteen in fact, all vieing for the much coveted M.O.F. or Meilleur Ouvriers De France award in Lyon. As luck would have it, I went to Maine to paint and missed the screening, but they sent me the video and BOY OH BOY is it fun!
The Guardian said,
"I never saw so many men sobbing at once"
"A culinary HURT LOCKER"

You get to see top pastry artistes pushed to the limit, racing against time and each other to make their super, fragiles creations. You see top pastry judges of France (PH included!) tasting and grading the contender's art works (16 desserts) and their responses. Full of suspense...catastrophes beaucoup...even the judges are in tears.
If you love French pastry, you MUST see KINGS OF PASTRY
Pastry chefs of the highest order are required to make many confectionary sculptures...
Usually made of sugar. These chocolate masterpieces were at the Salon du Chocolat last October. Now I have a better idea of the enormous effort that went into making them.
Oh the torture, oh the sleepless nights.
I attended the Coupe du Monde de la Patisserie in Lyon in '94 - words can not describe the fabulousness of it all. If only I'd had my Canon back then. Last June I returned to Lyon for a macaron class. Instead I ate lunch at Paul Bocuse's Brasserie Le Nord.
Very chaleureuse/warm indeed..
Very much in the old French tradition of quality and simplicity.
Bien sur you know I had une salade...
And then the very traditional cote d'agneau for my main.
Miam-miam
When I asked for the l'addition they said I was an invitee/guest!?
How I wished I had ordered dessert...something on the order of this elaborate chocolate chapeau...
HATS OFF TO THE M.O.F. WINNERS
And go see the movie.

Tuesday, October 27, 2009

I don't know how Scott does it? Well maybe if I looked like The Sartorialist I too could shoot people in Paris from the side, front or full on...Just give me a back and I know what to do with it. Very non-confrontational too. And a person's back can reveal alot about them, like Paul Bocuse here... I find it so much easier to shoot backs in Paris...

I wish I had the nerve to do otherwise but...
Give me a tarte any day and I can shoot it every which way, under any conditions.
With Frenchies...I'm sticking to the back. Look purple socks!
A purple hoodie and a scooter in Galeries Lafayette!
Chic Parisiens leaving the Louvre on a rainy day...
Apartment browsers with blue boots and ballerinas...
Apartment ads are a good place to catch the unaware Parisien...
Shirt tails hanging out...
Seems to be ever present on Paris streets...
A front shot of feet!
Is this woman about to yell at me?
I ran away vite, vite, vite!
I was with French Girl, my Paris fashion consultant on the Metro and she noted this Parisien was well dressed. When she saw me grab this shot as the door closed, she said,"I don't know you!"
Anne says I should just stake out one spot and shoot - no chasing down the street after "backs" or whatever...
Laduree BonaparteI think I'll stick to what's inside. Even when the vendeuse puts her hand in front of my camera and says, "NO PHOTOGRAPHS!" the tartes don't mind a bit and are happy to pose patiently for me.
For more Paris stalkings:
BONJOUR PARIS!

Friday, August 24, 2007


Yesterday K & S said...you've had the coolest jobs! You ain't seen nothin' Sweetie Darling :)
Paul Bocuse, Champagne Mumm's spokes person,
suggested I do some artwork for them and made introductions.
They gave me a test assignment: Come up with a big group drawing of tons of celebrities drinking Mumm that they could gift to all their employees.
Can you spot Kate Moss? And there's one of the Seagrams brothers embracing the big bottle. Please note everyone is holding their glass by the STEM. Never hold a champagne glass by the "bowl". You must not warm up the bubbles.
That group drawing led to a portrait promotion program. They thought I should paint the portraits directly onto the Mumm bottles?
I foresaw a sea of Mumm jeroboams in my living room. The last minute I dreamed up the idea to print their label design on my watercolor paper and I ended up with just stacks of nice neatly printed Champagne labels.
One of the perks of this career was I got to stay at the Mumm mansion in Reims...
The countryside in Champagne is magnificent and there's a new fast train
from Paris that gets you there in an hour. Don't miss it!
I got to stay a week in Verzy at Veuve Clicquot's country estate.
It was just me and a refrigerator full of
jeroboams.
They said, "Help yourself"
Right! :)
Someone did pop in to deliver petit dejeuner in the morning and the rest of the time I communed with the grapevines. They still use straw baskets to pick the grapes in Champagne.
There's a lot of partying in the Champagne Biz. These pourers are dressed up as old fashioned "cellar men". They used to turn the resting bottles.
They're fun to sketch...
This is not me embracing the big bottle, that's my French boss at Mumm...
This is me partying at the Chelsea Arts Club Belle Epoche Ball held at London's Albert Hall... Well there is a Champagne bottle in the picture. We had to come as characters from Degas and Lautrec paintings. I chose a Degas dancer. I remember Roger Terry, the club concierge, telling me,
"If you add one more satin bow to that outfit, you'll look like a dog's dinner."
Don't you just love the Brits!

Pass the Bolly Sweetie Darling!

Wednesday, July 18, 2007

The next chapter of my varied career path...Butcher, baker, candlestick maker...
What's next? Chefs jacket painter!

As I mentioned before I had nothing to wear to the ball...I mean the chef portrait exhibit opening at the James Beard House.. So I painted a chef's jacket to wear covered with portraits of said chefs!

Here's a back view with my favorite back views of the chefs...
I mentioned also that I wore 4 different jackets to Paul Bocuse award luncheon... Not all at once silly! I rotated them in the ladies room. A tall, dark, thin man came over and said he'd like to order a painted jacket.
asked for his business card. He said he had none. I asked could he write his name on a piece of paper.. And he wrote -
George Duboeuf!
I did a special "Flower Label" jacket for a friend of his...

At the same Bocuse event another chef invited me for lunch at his Lyon hotel restaurant.There he served me my first and last whole black Perigord truffle en croute. After I finished his dish and assured him it was wonderful.. (what do I know of truffles, chocolate or otherwise) He informed me, Now you will paint me a chef's jacket. You have just eaten your payment!
Pas de choise / I had no choice..
C'est la vie
Sometimes you just have to pay the piper for your dinner..

I got to know famed French chef, Roger Verge at that luncheon too. He asked me to paint him a special jacket for his upcoming vegetable cookbook tour. Payment would be a stay at his fabulous French Riviera inn, Le Moulin de Mougins. I never got around to tasting that "truffle" and now he's no longer there :(

Wendy Brandes at the Wall Street Journal did a little story on the jackets...
"Michelangelo liked ceilings.
Diego Rivera preferred murals. Carol Gillott goes for...chefs jackets."
I never had to worry again what to wear to the ball or any foodie events I was shooting. And I was a walking sandwich board for the jackets. Moms liked the jackets for their graduating culinary school kids. Chefs liked them too for special events. And the chefs were just entering the celebrity arena at that time...
I threw in this back view of the "pasta jacket" of a hilltown for all you returning sojourners from Italy, Merisi and Brit!

Tuesday, July 3, 2007

A bit more Paris Breakfasts ancient history, since you loved the Bocuse story...I got involved with The James Beard House because I fell in love with fancy plating while at a French spa, Les Pres D'Eugenie les Bains...I took a tour visiting New York's top restaurant kitchens when I returned.The leader suggested I volunteer at the Beard House so I could learn to plate on the spot.
This chef is 'plating' = creating beautiful plates for the diners and he's making sure every plate is perfect and delectable.That's how I joined the Beard parsley chopping brigade...
Chef's backs The chefs perform in the kitchen like theater. They dance around like Baryshnikov, working in unison and I loved sketching them. But plating is HARD WORK, and first chance I got, I switched to shooting the chefs. Watching the chefs move around is like being at a life drawing class... I was dying to draw them! As soon as I got home I'd start sketching and next day I'd shoot off my sketches via fax into the chef's kitchens.
I became the Toulouse Lautrec of the kitchen. I met every chef in chefdom and I got to draw them too!
But painting those chefs caused me such weltschmerz /world-pain. Finally a week before the portrait show opened I figured it out. Painted multi-drawings on a toned ground a bit like old master drawings.
I loved painting chefs from the back especially...so much character revealed from the back. I almost forgot! Part of the hard work of photographing the chefs dancing in the kitchen, was shooting these gorgeous plates. AND eating them. The top dish is a roasted peach filled with berries and ice cream. The bottom dish looks like fish + chips, but is really Rattlesnake + chips. All part of the job of shooting the chefs. More on my brilliant careers to come...

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