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Norma, Arthur and their son Walter are a happy family but like most people are strapped for cash and having trouble making ends meet. Just when Arthur discovers NASA has rejected him from the astronaut program Arlington Steward shows up on their doorstep with a box and a proposition. The box contains a button, and if Norma and Arthur push the button they will get one million dollars, but somewhere in the world, someone they don’t know will die. Desprate and unbelieving, Norma presses the button and she and Arthur are sucked into a mystery that neither one of them can understand or find their way out of.

Not surprisingly, The Box is a movie that most people won’t like. This is a morality tale and if anyone wants to be honest that means it’s a movie that can’t have the easily accomplished, cop-out ending. As a true morality tale The Box makes sure it has a lesson to impart and does so in the best way it can: just like Icarus got caught up in the moment and plummeting into tragedy, Arthur & Norma help cause the tragedy that unfolds around them and they have no one to blame but themselves.

Part of what I loved about The Box is that it’s a true Richard Kelly film – it’s a morality tale with a B-movie, science fiction slant. By setting the film around NASA in the seventies Kelly is allowed the room to play with a world that is still wary of technology, space and the mysterious “other”. Arlington Steward is a mystery instead of a search on the internet – genuine gumshoe work is required. This lends an aura of mystery to the film that is hard to accomplish in a film set in a contemporary period. Even though this mystery involves the supernatural it is one that could be easily resolved now adays as it revolves around one central figure, one who could be easily tracked on the internet or in any computerized database. I assume Kelley added this element to the short story himself as he said the concept for Norma & Arthur in the film were based around his parents.

Richard Kelly films thrill me in a way that I have talked too much about to those that know me. He makes movies that can still surprise me, movies that have visuals I want to emulate, and stories that astound me. I am sad that the mass audiences no longer have the film vocabulary to view and enjoy as Richard Kelly film, but I have to hope that the more movies he makes and the longer they pick up followings on DVD that the easier it will be for a mass audience to see and enjoy his films in the theatre.

Director & Writer: Richard Kelly
Norma: Cameron Diaz
Arthur: James Marsden
Arlington Steward: Frank Langella
Dana: Gillian Jacobs
Walter: Sam Oz Stone

Richard Kelly makes some of the coolest yet unexplainable films I have ever seen, granted my experience with him extends only to his two feature films but let me tell you Southland Tales is quite the trip. I had a very enjoyable time watching Southland Tales, but I can still tell you I have no idea what it was about.

The film opens with a quaint family filled birthday party in Texas that is being filmed by one of the children a the party when suddenly a bright flash is seen and a bang and a nuclear bomb has been exploded, an act of terrorism that starts the dystopic future that prevails in Kelly’s version of America. Due to WWIII and being cut off from the Middle East our nation is looking for alternate fuel sources, and has just unveiled a thermo dynamic system off the coast of California. Meanwhile, actor Boxer Santos has disappeared and his politician father-in-law is frantically looking for him as it is an election year. Combine this with Boxer’s porn star girlfriend, a terror group called the Neo-Marxists & an overbearing Big Brother government and you have Southland Tales.

Southland Tales is narrated by Pilot Abilene, an actor and soldier who watches over Malibu and deals drugs. Abilene was one of my favorite characters in the film and I am really coming to respect Timebrlake as an actor – he does a dang good job. My favorite sequence in the film is a musical sequence to “All These Things” by the Killers, which is used when Abilene is on a high. Watching the sequence makes me hope that Kelly might one day do a little more with the musical genre, it was beautiful.

I can’t recommend this movie to everyone because I know it would drive quite a few people nuts. However, if you liked Donnie Darko or just want to try a very unique but artful film then give Southland Tales a try. Kelly is a unique artist and I want him to be supported.

Director & Writer: Richard Kelly
Cyndi Pinziki: Nora Dunn
Starla Von Luft: Michele Durrett
Krysta Now: Sarah Michelle Gellar
Boxer Santos: Dwayne Johnson
Vaughn: John Laraquette
Serpentine: Lai bing
Bart Bookman: Jon Lovitz
Madeline Frost Santos: Mandy Moore
Dream: Amy Poehler
Nana Mae Frost: Miranda Richardson
Roland Taverner: Seann William Scott
Baron Von Westphalen: Wallace Shawn
Simon Theory: Kevin Smith
Private Pilot Abilene: Justin Timberlake

Cyndi Pinziki: Nothing an eight ball, a porn star and a tattoo parlor can't handle.