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I think I need to see Scent of a Woman. You might think this is an odd way to start a review on Chaplin but you know I’m a bit eccentric and I swear relevance is coming.

I need to see Scent of a Woman because I want to see why it was so applauded; I need to see the performance of Al Pacino. Pacino is an incredibly talented actor who deserves much acclaim, and I need to see this performance because he won the best actor Oscar for it. I need to see it so I can figure out if he should have won over Robert Downey Jr, because to this day I cannot watch Chaplin without marveling over the sheer amount of talent, care, and the complete transformation that happens on screen. I need to see why Downey didn’t get the Oscar, because if he didn’t get it Pacino must just about melt the screen in Scent of a Woman.

Movies about movies hold a special place in my heart, and Chaplin is one of the best. The fact that the film is a true story, an excellently done one at that makes it all the better. I love that I can see the history of the industry in Chaplin and how mixed with our nation and world’s cultures the movies really are. The fact that Chaplin is an excellently made film just makes it all the better.

Mack Sennett: Now I know this is all new to ya, but remember something, we're all new. This is not an ancient industry. This whole place here is built around speed. Start the story, start the chase. I get bored easy.
Rollie Totheroh: How much you reckon Mack? Couple yards of Mabel?
Mack Sennett: Hmm, yeah. Nah, make it three. But don't go thinking we sacrifice quality. I never make more than two motion pictures a week, but I'll spend up to a thousand dollars on each of 'em if I have to.

Charlie Chaplin was one of the most influential individuals in film history and even today comedians look to him for inspiration. Chaplin is the bio-pic that tells the tale of Chaplin from his early childhood through his acceptance of his lifetime achievement Oscar near the end of his life.

I must first give props to Richard Attenborough because through his wonderful handling of the wild and twisty life of Charles Chaplin the performers life becomes more than just a history lesson, or a example of filmmaking at the start of the industry; the story is one of a man who wanted people to laugh, and wanted to make sure his films had something to say – the story is one that is far reaching and epic, yet rather than feeling long and strenuous the film feels as light and airy as Chaplin’s films were. Attenborough has to capture a main character at many ages, and in many historical eras and it is never labored or satirical. From the choice of costumes to every single actor that passes in front of the lens this film smacks of a director that knew exactly what he was achieving and how he came about it.

No matter who you are you cannot come out of watching Chaplin without being in awe of what Robert Downey Jr. does in that role. It is no wonder that this role garnered Downey his first Academy Award nomination. Like so few actors are truly capable of when you watch Downey portray Chaplin you quickly forget that he is Robert Downey Jr, and all you see if Charlie Chaplin. I can only marvel at exactly how Downey is able to inhabit the shoes of Chaplin so well, from the way the Tramp walked to creating the real life personality there are no missteps in this role. I commend Richard Attenborough for casting Downey, the film could have been something entirely different if another actor were in role.

Director: Richard Attenborough
Writers: William Boyd, Bryan Forbes & William Goldman
Charles Chaplin: Robert Downey Jr.
Hannah Chaplin: Geraldine Chaplin
Sydney Chaplin: Paul Rhys
Oona O’Neill: Moira Kelly
George Hayden: Anthony Hopkins
Mack Sennett: Dan Aykroyd
Mabel Normand: Marisa Tomei
Douglas Fairbanks: Kevin Kline
Mary Pickford: Maria Pitillo
Mildred Harris: Milla Jovovich
J. Edgar Hoover: Kevin Dunn
Paulette Goddard: Diane Lane
Rollie: David Duchovny

Charlie Chaplin: If you want to understand me, watch my movies.

I remember watching Heart and Souls when I was a kid and loving it, but I remembered nothing about it. I mean nothing. I discovered it again while on my mission to watch Robert Downey Jr. movies.

Heart and Souls is a delightful film that really reminds me of the old romance movies and comedies that were made in the fifties; there is just an innocent carefree spirit about it that makes it a delight to watch.

The film begins in 1959 when Thomas’s parents are on the way to the hospital to have their first baby; however, they are delayed in doing so by a bus accident that kills Harrison, Penny, Julia and Milo, four individuals that should not have died yet. Since it is well before their time of death they are given a chance to complete their lives by using Thomas, who was born in his parents car when they were delayed by the accident – the only problem is they don’t know this until Thomas is in his thirties. They spent his childhood as his “imaginary” friends that only he could see, until his parents fear he has mental problems and they make themselves invisible to Thomas too. When they are finally told that Thomas was supposed to be their helper to finish their lives Milo, Harrison, Julia and Penny reveal themselves to Thomas again – to his shock.

No one in the film is bad; every character is played in such a way that they are endearing and memorable. However, the true shining star of this film is of course Robert Downey Jr. This film is his follow-up to Chaplin and again proves how vastly talented the man is. At one point in the film each of the ghosts enters his body and he takes on their characteristics and mannerisms: without skipping a beat he is capable of becoming a small town girl, black woman, a repressed musician with stage fright and a crook. It was brilliant to watch.

I do recommend this movie because it’s a very refreshing, light, fun, clean, genuine, actor driven, romantic comedy that really does feel pulled out of another era.

Director: Ron Underwood
Writers: Brent Maddock, S.S. Wilson, Gregory Hansen, & Erik Hansen
Thomas: Robert Downey Jr.
Harrison: Charles Grodin
Penny: Alfre Woodard
Julia: Kyra Sedgwick
Milo: Tom Sizemore
Hal the Bus Driver: David Paymer
Anne: Elizabeth Shue

Harrison: Who came up with this ridiculous concept anyway? Resolve your entire life in one bold stroke? What if I fail? And I will. I'll fail. I'm telling you. I always fail. Then my whole life will be a complete failure.
Thomas: No offense, Harrison. But you died a failure because you never tried.