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Tuesday, September 1, 2009
Last Friday (opening day) I saw...
R.J.Cutler's documentary, "THE SEPTEMBER ISSUE" and I loved every minute of it.
The main diva is of course Anna Wintour, editor and chief of Vogue magazine - how that woman sees anything through that wall of sunglass is beyond me. When Wintour says "No" you can hear it round the fashion world. As for Meryl Streep's character in The Devil Wears Prada, a suggestion it was based on Anna Wintour is dismissed by director, RJ Cutler. "Their offices look alike but Meryl's performance is very theatrical and histrionic. She jumps up and down and throws her coat all over the place. Anna Wintour doesn't need to do that. She is a very economical with her gestures. It is in the nuance, a glance, but you know how she feels. Everyone around her knows how she feels."
But the real star of the movie is Wintour's creative director brilliant Grace Coddington, seen taking copious notes here...
There's plenty of Paris in the movie, not just New York's Fashion Ave. I particularly loved a scene of Grace in the back seat of a Paris limo recalling that mentor and famed Brit photographer, Norman Parkinson told her,"Never shut your eyes or go to sleep in a car, train, anywhere. You might miss something inspiring..." That's my M.O. too and why I never meet up with anyone in Paris-I'm too busy looking and being inspired every damn second of the day.
I loved all the scenes of how the "book"/issue is put together...
R.J.Cutler's documentary, "THE SEPTEMBER ISSUE" and I loved every minute of it.
The main diva is of course Anna Wintour, editor and chief of Vogue magazine - how that woman sees anything through that wall of sunglass is beyond me. When Wintour says "No" you can hear it round the fashion world. As for Meryl Streep's character in The Devil Wears Prada, a suggestion it was based on Anna Wintour is dismissed by director, RJ Cutler. "Their offices look alike but Meryl's performance is very theatrical and histrionic. She jumps up and down and throws her coat all over the place. Anna Wintour doesn't need to do that. She is a very economical with her gestures. It is in the nuance, a glance, but you know how she feels. Everyone around her knows how she feels."
But the real star of the movie is Wintour's creative director brilliant Grace Coddington, seen taking copious notes here...
There's plenty of Paris in the movie, not just New York's Fashion Ave. I particularly loved a scene of Grace in the back seat of a Paris limo recalling that mentor and famed Brit photographer, Norman Parkinson told her,"Never shut your eyes or go to sleep in a car, train, anywhere. You might miss something inspiring..." That's my M.O. too and why I never meet up with anyone in Paris-I'm too busy looking and being inspired every damn second of the day.
I loved all the scenes of how the "book"/issue is put together...
The constant editing process to come up with the most vibrant issue possible
Scrapbook upon scrapbook of color and trend ideas - it takes a lot of work to get that thing out. Inspiring!
Grace directs the fashion shoots and comes up with ideas at the last minute that save the day...
And leans towards the wildly romantic spread you sometimes see in Vogue...
Grace is a mad cat lover...
And formerly a Brit model, so she's been on both sides of the camera...
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